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Roy Lichtenstein 1st ed. Paper Plate (1969 edition; framed) Excellent cond

Roy Lichtenstein 1st ed. Paper Plate (1969 edition; framed) Excellent cond

Regular price $800.00 USD
Regular price Sale price $800.00 USD
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Roy Lichtenstein, Paper Plate, 1969

Framed paper plate by Roy Lichtenstein
from the original 1969 edition
screen-print on paper plate
plate: 10.25" diameter
frame: 13.25 x 1325" (ready to hang; cut out reveals back stamp)
stamped on the back: Roy Lichtenstein © On 1st Inc

Roy Lichtenstein's Paper Plate edition was originally conceived in 1969 and is a coveted, sought-after edition.  On the verso of the frame, the edition details are seen through a cut-out and the frame comes easily ready-to-hang.

What is it?
Probably one of the most successful and adored multiples of all times. Roy Lichtenstein’s Paper Plate is literally a paper plate. They were originally sold in packs of 10 and wrapped in cellophane.

Why did he make it?
Lichtenstein made the paper plate for the well-known fashion and advertising photographer Bert Stern, who had set up an uber-chic New York boutique called “On First Store”. Located in Manhattan, Stern’s idea was to commission stylish yet affordable objects for the home and wardrobe from notable fashion designers and artists. Unfortunately, the shop did not last long and most of the plates were left undistributed.

So this is tableware?
Exactly, this is probably now the most expensive throwaway tableware you can get your hands on. Of course it is also a beautiful example of an ephemeral multiple.

Why did he agree to make it in the first place?
Lichtenstein was in an exalted position in 1969 and no doubt thoroughly enjoyed the irony of signing his name to an everyday mass-produced paper object. Under his signature style of swirling primary colors and Ben-Day dots this familiar household item was transformed. Many people saw elements of critique in the work of the Pop artists and in Lichtenstein especially, who, by elevating everyday objects into high art made the art object itself become more risibly a commodity—emphasizing art’s fundamental place as a commodity.

Who has one?
These paper plates seem to pop up everywhere and are featured in most major art collections including Tate Modern in London and MoMa in New York.

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